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Post by bastet on Jan 10, 2019 2:24:56 GMT -5
She has sung this song at concerts before. It's from an animated film.
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Post by yellowstone2014 on Jan 10, 2019 8:13:11 GMT -5
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Post by yellowstone2014 on Jan 13, 2019 12:21:43 GMT -5
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Post by yellowstone2014 on Jan 14, 2019 1:35:31 GMT -5
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Post by ursus on Jan 14, 2019 4:25:58 GMT -5
Definitely much better, but the spelling of "Evancho" is not as good.
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Deleted
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Post by Deleted on Feb 27, 2019 19:56:50 GMT -5
Just found this full performance of "Music of the Night"
Published Feb. 18, 2019
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Post by Willyiam on Feb 28, 2019 8:38:23 GMT -5
Just found this full performance of "Music of the Night" Published Feb. 18, 2019 She is becoming more of a professional every time I see current performances! Just the way she handles her arm and body movements throughout the performance, as she makes Christine come alive, tells me that pursuing a Broadway career is not a bad move. Can't wait to see her again in concert!
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Post by Deleted on Feb 28, 2019 13:11:07 GMT -5
Just found this full performance of "Music of the Night" Published Feb. 18, 2019 She is becoming more of a professional every time I see current performances! Just the way she handles her arm and body movements throughout the performance, as she makes Christine come alive, tells me that pursuing a Broadway career is not a bad move. Can't wait to see her again in concert!
Jackie has refined her presentation with greater finesse in several ways. She is more deliberate in expression as you mention, artful and genuinely theatrical (an oxymoron?), I would say. What impresses me about her vocal interpretation most recently is that she has developed a few seemingly new techniques. She is projecting more, using her chest voice with greater power. Something new, that was particularly evident in her performance of MOTN on Champions, was a more dynamic ending by making a transition from head-voice (falsetto) to chest voice...and finishing the note with an open smile. That was theater! It was the first time I had heard her make that transition, and she did it just as smoothly as her transitions from chest-voice to head-voice. There is no vocalist I know who has an absolutely seamless transition as Jackie has. It is one of her trademarks, unrealized as such by the average listener but a technique that gives her vocals an indescribable "something", beside her unique bell-tone which together distinguish Jackie a unique vocalist. She has also acquired a more undulating vibrato, rhythmic and warm, particularly in the lower register, most evident in a couple of the samples from The Debut. That has come naturally with a maturing voice, but it also comes with a feeling of intimate connection with the phrase (lyric), if that makes any sense. One can execute a subtly different frequency for effect. Moreover, her phrasing is more free and spontaneous, and particularly expressive as she tells the story directly to the audience, at times interjecting nearly "spoken" words with a kind of hushed voice. Jackie is becoming a more impressive performer, maturing vocally and presenting herself with greater ease and confidence, now engaged more in entertaining her audiences, but still humble, and delightfully genuine and endearing as always. Those qualities are among her greatest assets as she becomes better known to a broader audience, in my estimation.
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Post by Willyiam on Feb 28, 2019 15:09:45 GMT -5
She is becoming more of a professional every time I see current performances! Just the way she handles her arm and body movements throughout the performance, as she makes Christine come alive, tells me that pursuing a Broadway career is not a bad move. Can't wait to see her again in concert!
Jackie has refined her presentation with greater finesse in several ways. She is more deliberate in expression as you mention, artful and genuinely theatrical (an oxymoron?), I would say. What impresses me about her vocal interpretation most recently is that she has developed a few seemingly new techniques. She is projecting more, using her chest voice with greater power. Something new, that was particularly evident in her performance of MOTN on Champions, was a more dynamic ending by making a transition from head-voice (falsetto) to chest voice...and finishing the note with an open smile. That was theater! It was the first time I had heard her make that transition, and she did it just as smoothly as her transitions from chest-voice to head-voice. There is no vocalist I know who has an absolutely seamless transition as Jackie has. It is one of her trademarks, unrealized as such by the average listener but a technique that gives her vocals an indescribable "something", beside her unique bell-tone which together distinguish Jackie a unique vocalist. She has also acquired a more undulating vibrato, rhythmic and warm, particularly in the lower register, most evident in a couple of the samples from The Debut. That has come naturally with a maturing voice, but it also comes with a feeling of intimate connection with the phrase (lyric), if that makes any sense. One can execute a subtly different frequency for effect. Moreover, her phrasing is more free and spontaneous, and particularly expressive as she tells the story directly to the audience, at times interjecting nearly "spoken" words with a kind of hushed voice. Jackie is becoming a more impressive performer, maturing vocally and presenting herself with greater ease and confidence, now engaged more in entertaining her audiences, but still humble, and delightfully genuine and endearing as always. Those qualities are among her greatest assets as she becomes better known to a broader audience, in my estimation. CLeonard: You're technical analysis of Jackie's vocal improvements as she has transitioned from a 10 year old to an adult, is spot on and leads me to an observation. I've said this before, but it's more appropriate now! One of the benefits of following a child performer from early in their career, to when they have shed the awkwardness of youth and blossomed into adulthood, is the personal gratification that the object of my devotion has not decided to become a veterinarian, but will, in all probability, become a household word and a sought after performer. For me, the ten years of experiencing her ups and downs, her bout with walking pneumonia, dealing with Lisa's Lyme Disease, dealing with the social dynamics of acquiring an instant sister, etc., etc., were well worth the wait to relish her performance in this latest video.
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Post by yellowstone2014 on Nov 25, 2019 12:18:07 GMT -5
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